Post #21: 'COVERS VS. ORIGINALS: LIVING YOUR LIFE TO CREATE YOUR LIFE THE WAY YOU WANT IT' of ANNIE B.'s D.I.Y. MAGAZINE
"I promise to post blogs here, sharing some daily activities & the work I do to achieve my career goals, and when I do win that Grammy, YOU can say you followed me all the way! I also hope to give inspiration, information, & advice to indie artists, and I hope you take a little something away with you when you read my posts, whether or not you are yourself an artist!"
If you ever have ANYTHING you'd like to respond to in my blog, PLEASE find me at Facebook.com/AnnieBMusic
THANKS!!!
Well, it's a question that all original artists have. Do you play covers, or do you not? Plenty of us have to play cover gigs to pay the bills. We play hits on the radio, learn those songs from other artists, and we play the ones that we do well, since lots of bars that hire bands & musical entertainers cater to people who want to hear their favorite songs.... the radio hits. They can be from Frank Sinatra or from Lady GaGa. Either way, it's not a song written by the artist up there on stage. And I know some venues that will not book you again if you play "too many originals". But let's face it: We are never going to "make it" by playing covers. We need to get out there and push those original songs, we need to get our original music out there consistently and regularly growing a bigger fanbase with every show. In most venues, you can get away with playing one to four original songs in a whole night. You "sneak them in". Or, you just decide that you are not going to play cover gigs, and then you have to find another "day job" (which is what I call cover gigs.... that's my "day job")! Thank goodness I can make a living as a "live music entertainer" (but I am moving towards making my living as an artist, which is someone who plays their own music)! Granted, at this point, it's mostly cover gigs that pay my bills. But I am on a mission to earn my living with my original songs, making money at "original music venues", selling CDs and merch. So, how can that be done???
I guess the first thing we need to do is start looking for those venues, and start booking enough cover gigs to allow us to take a Friday night "off" and play a gig at an original music venue... where we won't make the same kind of money, if we make anything at all! But then, let's NOT PUT THAT OUT THERE! We have to start looking for our target audience at the right venues... it is here that we will find people who WANT to discover new artists, who will buy our CDs & Tshirts, and who will tell their friends about you!
Although, we might be better off just booking original gigs on Sunday/Monday/Tue. nights... since those are the nights that the club does not usually expect to have a big crowd of people who want to hear their favorite radio hits. I just e-mailed the Elbo Room in Chicago - I have played there before with Sparklepussy and am looking for some opening gigs as a solo artist. They should be able to offer me some dates. I also just e-mailed a venue in Madison.
So, the goal is to keep contacting venues until you get a substantial amount of dates lined up with your original music, and hopefully you will be asked back and can start building a regular following as an original artist.
It's hard to find that balance, though. As an original artist, you will not make the same kind of money until you have been doing it and returning to those venues for a year or more. It takes time and patience, which most of us do not have! I was just reading a book about building your audience, and the author recommends the artist hangs out at the venue where they want to play for a month or two, offer to play for free on a weeknight, and then work your ass off for weeks to promote the show to fill the joint and get a great review. Well, that sounds like a great plan on paper, but actually doing it would be frustrating. How can you put so much energy into ONE show, and expect to feel like you are accomplishing your goals? There HAS to be a better way.
We must actively create that perfect situation where we are making enough money playing original music to pay the bills and also have enough to keep getting back into the studio to record new CDs, etc, etc. That requires us to travel. You can't keep playing the same market an expect people to come out to your shows if you are playing every week. You must make your shows a big deal, and they must be sparse enough to compel people to come out when you do have a show, since they might not get a chance to see you again for 2 or 3 months or more.
Well, now at least we have a plan. I'll let you know how it goes with me! Anyone who can suggest a venue in SE Wisconsin or Northern IL, even as far as Dubuque, IA, PLEASE e-mail me at AnnieBBaby at gmail dot com!
Thanks!!!
Showing posts with label Annie B.. Show all posts
Showing posts with label Annie B.. Show all posts
Tuesday, April 20, 2010
Wednesday, February 17, 2010
Day 362
Post #20: 'THOUGHTS OF AN INDIE ARTIST ON THE RADIO TAX BILL' of ANNIE B.'s D.I.Y. MAGAZINE
"I promise to post blogs here, sharing some daily activities & the work I do to achieve my career goals, and when I do win that Grammy, YOU can say you followed me all the way! I also hope to give inspiration, information, & advice to indie artists, and I hope you take a little something away with you when you read my posts, whether or not you are yourself an artist!"
If you ever have ANYTHING you'd like to respond to in my blog, PLEASE e-mail me at: RespondToAnniesBlog at gmail dot com
THANKS!!!
Day 362
You've heard the commercial, right? Talking about how everyone wants a new bailout and this is one that's going to only put money into the pockets of "people who don't need it... big record companies, most of which are overseas."
Hopefully you have at least heard about the Radio Performance Tax bill going through Congress right now, and most of your corporate radio stations & conservative groups are saying, "VOTE NO - it will only put more money into the pockets of big record labels, most of which are overseas"
Well, I am here to say "VOTE YES" and I will tell you why I feel that way about it, as an indie artist, and as someone who has worked for an independent radio promoter myself in Los Angeles for 5 years.
First off, let's take a look at the bill.
Here is the summary of the bill:
S.379
Title: A bill to provide fair compensation to artists for use of their sound recordings.
SUMMARY AS OF:
2/4/2009--Introduced.
Performance Rights Act - Amends federal copyright law to: (1) grant performers of sound recordings equal rights to compensation from terrestrial broadcasters; and (2) modify the circumstances under which the public performance of a sound recording is subject to statutory licensing.
Establishes a flat annual fee in lieu of payment of royalties for individual terrestrial broadcast stations with gross revenues of less than $1.25 million and for noncommercial, public broadcast stations. Grants: (1) an exemption from royalty payments for broadcasts of religious services and for incidental uses of musical sound recordings; and (2) terrestrial broadcast stations that make limited feature uses of sound recordings a per program license option.
Prohibits anything in this Act from adversely affecting the public performance rights or royalties payable to songwriters or copyright owners of musical works.
And here is a .PDF file link to the 21-page Text of Legislation:
http://frwebgate.access.gpo.gov/cgi-bin/getdoc.cgi?dbname=111_cong_bills&docid=f:s379rs.txt.pdf
Well, one of the first comments I got on this is from my fried, Tim, lead singer of a great indie band from Madison called Government Zero, he said:
"The problem is that they won't be exempt. Apparently this threatens to bankrupt small stations. Then again, it might get stations to play more local stuff. But let's not hold our breaths. :)"
If you look at the PDF file, you'll see that the stations making $50K or less a year pay an annual fee of $100, and it goes in increments... the stations who make $500K pay an annual fee of $5,000.
Start reading this thing on page 7 and you'll see the numbers in a few pages... here it is again...
http://frwebgate.access.gpo.gov/cgi-bin/getdoc.cgi?dbname=111_cong_bills&docid=f:s379rs.txt.pdf
Well, let's just start by saying: YOU, the listener, won't get taxed. So, I am not so sure it's a bad idea, unless you support the huge radio conglomerates who will get hit the hardest. I am hoping it will be a vehicle for the little radio stations who actually play local artists, to having the playing field leveled a little. Indeed, they will have a small fee to pay, relatively small compared to the royalties the big stations will have to pay. The big stations will probably end up changing formats, becoming even more unpleasant to listen to (playing more of the same 15 songs on the radio, playing more commercials, maybe going down to 10 songs?) losing more & more listeners every day, and eventually having to go off the air. That would be fine with me!
The bad thing is that in the interim, the local businesses will suffer by paying for it (due to higher advertising rates on these big stations), but there are other ways to reach the local public, and hopefully local businesses are ahead of the curve and thinking along those lines right now. Since the internet, marketing can be done for a FRACTION of the price... and I've been doing it for FREE for some time now. Bands started a great trend by showing they could sell out shows by building a huge list of friends on MySpace. Social networking is really the way to go if you are paying attention, people. Now, local businesses are turning to Facebook and other networking sites and I think it's totally cool.
Getting back to the stations: If Clear Channel, Entercom, Bonneville, and all their compadres had to close down or change formats, then that's fine with me. They are in bed with the labels. The labels want this tax. They should have consulted with their bed buddies first, but we all know that big labels are in trouble and that's just fine with me. Looks like they have to take what they can and get a divorce before the radio stations come up with some way to get their money back!
Whatever happened to stories like The Coal Miner's Daughter, who drove around the country with her record and knocked on the doors of the radio stations and once she got them to play it, people loved it? These days, you have a little brother who is cute and can barely play guitar and you have an uncle who works at a big record label and they say, "You two could put out a record and make us millions" and that's exactly what happens... they hire a producer to basically write all the songs and they're off to take over the world. I won't mention what band this is, because you might like them and then get mad at me for dissing them, but do your research on these new bands out there and you'll find out that it's half of them! You should also take a look at the liner notes on the CD and see who recorded the album. I can think of one huge major-label band in particular where the only person who you are listening to on the CD (or on the radio, for that matter,) is the lead singer... all the other musicians were replaced on the CD for hired studio cats. But the band members who are not good enough to be on the record are the ones who go out on tour. And we wonder why some of these major-label bands sound like shit live.
Thank Goodness though, that the whole industry has been changing... since the internet came around and made distribution of records almost completely dispensable... among other things like artists having the ability to record their own music or at least have the ability to pay for it at a good, local studio. Things are changing, and I think it's all moving towards being a better situation for the indies. So, hey, support your local bands! Support them by buying their CDs, going to their shows, buying their Tshirts, hats, and buttons! When you see that sign that says "THINK LOCAL, BUY LOCAL" don't just limit it to the locally-owned restaurant, clothing store, or produce grower.
How about that cool 3/50 Project? You don't know about it? Well, check out this major coolness: http://www.the350project.net/home.html
Yeah, pick 3 local businesses to spend $50 a month at, instead of Wal-Mart (although I am guessing that anyone who's reading my blog does not shop there), Applebee's, and Kinko's, go to the local clothing/gift store (better yet, the cool second-hand store with amazing vintage styles at a GREAT price!), the locally-owned restaurant around the corner, (I'm a HUGE fan of Cafe Centraal on KK in Bay View) and Clark Graphics on Oakland. You can DO IT! And you feel good about it!!!
OK, here's my 3/50 proposal for music fans: Look at your music collection right now... your iPod, your CD collection, your record collection, For every 50 CDs you own that are from bands that are NOT local, or for every 50 songs you have in your iPod that are not local, buy at least 3 CDs or song downloads from local bands today. Hell, you can buy 3 of the same CDs from your favorite local band and give them away as St. Patty's Day presents for all the Irish drunks (just kidding!), birthday presents, Christmas presents, JUST DO IT! Then, start working towards making the ratio closer to 3/5, instead of 3/50. I know it will be hard to get the radio all the way up to 3/5, but work on it! You'd be surprised how much AMAZING local talent there is out there.
Indeed, I have digressed again.
Hopefully, the locally-owned radio stations will not suffer... THEY will hopefully be the ones to benefit, since they won't have to increase their advertising rates like the Clear Channels will have to. Local businesses will stop buying ads on the Clear Channel stations since they can't afford those rates anymore, and they'll buy their ads on the local stations!!! Let's put that out there! Join me on this, people!!!!!!!!!!!!!!
NOW, the OTHER thing I didn't even mention is that this tax is actually supposed to go to the radio stations to be paid AS ROYALTIES... to who? WHO gets paid royalties??? THE ARTISTS!!! Ok, WHAT IS WRONG WITH THAT????? Do you realize that music is the ONLY art you can enjoy for FREE because there is a thing called the radio, providing you songs for FREE? How many of us as teenagers recorded the songs we liked on the radio on tapes so we didn't have to go out & buy the record? Can you get a sculpture and enjoy it in your own home for FREE? How about a painting? How about a live theater production... are those usually free??? OK, TV is "free" to a certain extent, but we all know how much those actors on TV make!!!!!!
Honestly, I am not really sure that the artists will be collecting all that money (don't trust record labels unless your mom runs it), but that's why I don't choose that as my reason to VOTE YES for the "RADIO TAX" BILL!!!!!!!!!!!!!!!! Tell your Congressmen!!!!!!!!! Level the playing field for locally-owned & community stations! My hope is that the result will be: Something will HAVE TO HAPPEN to how you learn about new music. Lots of you people right now out there learn about new bands because you hear them on the "Clear Channels"... The new bands who are supported by big labels. They DON'T need your help. Most of them aren't bona fide artists anyway. They're manufactured by the labels. We've already had that conversation.
Tell your Congressmen to vote YES ON THE PERFORMANCE TAX and help artists get paid the royalties they deserve. (The "artists" on the radio who are manufactured won't see any of that money anyway, trust me on that one. The record contracts they sign are not good for them.)
Tell your Congressmen to vote YES ON THE PERFORMANCE TAX and watch the Clear Channels raise their advertising rates, passing that expense on to the buyers, who will start buying elsewhere.
Tell your Congressmen to vote YES ON THE PERFORMANCE TAX and watch local businesses buy less ads on the Clear Channels and more ads on the locally-owned stations and sponsoring more of the community stations like 88.9
Tell your Congressmen to vote YES ON THE PERFORMANCE TAX and take the first step in changing things around here from a controlling class of the wealthy to more of a democracy. This is ONE AREA where we still have control people... WE STILL GET TO CHOOSE which radio stations we listen to. But because the powerful record labels have been controlling what's ON the stations, they are actually shooting themselves in the foot by taxing the vehicle by which they control us: The radio stations. I AM TELLING YOU, LET THEM DO IT... VOTE YES!!!!!
(Why do you think it's only the big "Clear Channels" airing those commercials that "Say NO to the tax"?????? Do the math, people!!!!!!)
(They want to expose us to only THEIR CRAP on the free radio stations, and then they put their own [yes, they are in bed together, people] radio stations out of business? It's wonderful!!!!!!!!!!! The result will inevitably be more cool music for us, less major-label crap for everyone!)
Tell your Congressmen to vote YES ON THE PERFORMANCE TAX and watch the Clear Channels slowly suffer, few will close down, some will change formats, and yes, lots will survive and SUCK even more. (It's okay if they still exist. Let the stupid people continue to listen.)
Tell your Congressmen to vote YES ON THE PERFORMANCE TAX and join smart listeners as we all stop listening to Clear Channel, moving to the 88.9s of the world, the college stations, and the locally-owned commercial stations, who will soon be playing less music from big major labels (they don't want to be taxed for playing those songs from those bands), and more LOCAL MUSIC.
Tell your Congressmen to vote YES ON THE PERFORMANCE TAX!
THINK LOCAL! BUY LOCAL!
WOO-HOO!
As for the tasks I am doing this week: I'm adding this to my schedule: Submitting to at least one new venue every day. If it's just an e-mail, or mailing a whole press kit, I promise to submit to a new venue every day, whether it's for a solo/acoustic act, or for Sparklepussy The Midwest Surfing Cat... One A Day!!!
"I promise to post blogs here, sharing some daily activities & the work I do to achieve my career goals, and when I do win that Grammy, YOU can say you followed me all the way! I also hope to give inspiration, information, & advice to indie artists, and I hope you take a little something away with you when you read my posts, whether or not you are yourself an artist!"
If you ever have ANYTHING you'd like to respond to in my blog, PLEASE e-mail me at: RespondToAnniesBlog at gmail dot com
THANKS!!!
Day 362
You've heard the commercial, right? Talking about how everyone wants a new bailout and this is one that's going to only put money into the pockets of "people who don't need it... big record companies, most of which are overseas."
Hopefully you have at least heard about the Radio Performance Tax bill going through Congress right now, and most of your corporate radio stations & conservative groups are saying, "VOTE NO - it will only put more money into the pockets of big record labels, most of which are overseas"
Well, I am here to say "VOTE YES" and I will tell you why I feel that way about it, as an indie artist, and as someone who has worked for an independent radio promoter myself in Los Angeles for 5 years.
First off, let's take a look at the bill.
Here is the summary of the bill:
S.379
Title: A bill to provide fair compensation to artists for use of their sound recordings.
SUMMARY AS OF:
2/4/2009--Introduced.
Performance Rights Act - Amends federal copyright law to: (1) grant performers of sound recordings equal rights to compensation from terrestrial broadcasters; and (2) modify the circumstances under which the public performance of a sound recording is subject to statutory licensing.
Establishes a flat annual fee in lieu of payment of royalties for individual terrestrial broadcast stations with gross revenues of less than $1.25 million and for noncommercial, public broadcast stations. Grants: (1) an exemption from royalty payments for broadcasts of religious services and for incidental uses of musical sound recordings; and (2) terrestrial broadcast stations that make limited feature uses of sound recordings a per program license option.
Prohibits anything in this Act from adversely affecting the public performance rights or royalties payable to songwriters or copyright owners of musical works.
And here is a .PDF file link to the 21-page Text of Legislation:
http://frwebgate.access.gpo.gov/cgi-bin/getdoc.cgi?dbname=111_cong_bills&docid=f:s379rs.txt.pdf
Well, one of the first comments I got on this is from my fried, Tim, lead singer of a great indie band from Madison called Government Zero, he said:
"The problem is that they won't be exempt. Apparently this threatens to bankrupt small stations. Then again, it might get stations to play more local stuff. But let's not hold our breaths. :)"
If you look at the PDF file, you'll see that the stations making $50K or less a year pay an annual fee of $100, and it goes in increments... the stations who make $500K pay an annual fee of $5,000.
Start reading this thing on page 7 and you'll see the numbers in a few pages... here it is again...
http://frwebgate.access.gpo.gov/cgi-bin/getdoc.cgi?dbname=111_cong_bills&docid=f:s379rs.txt.pdf
Well, let's just start by saying: YOU, the listener, won't get taxed. So, I am not so sure it's a bad idea, unless you support the huge radio conglomerates who will get hit the hardest. I am hoping it will be a vehicle for the little radio stations who actually play local artists, to having the playing field leveled a little. Indeed, they will have a small fee to pay, relatively small compared to the royalties the big stations will have to pay. The big stations will probably end up changing formats, becoming even more unpleasant to listen to (playing more of the same 15 songs on the radio, playing more commercials, maybe going down to 10 songs?) losing more & more listeners every day, and eventually having to go off the air. That would be fine with me!
The bad thing is that in the interim, the local businesses will suffer by paying for it (due to higher advertising rates on these big stations), but there are other ways to reach the local public, and hopefully local businesses are ahead of the curve and thinking along those lines right now. Since the internet, marketing can be done for a FRACTION of the price... and I've been doing it for FREE for some time now. Bands started a great trend by showing they could sell out shows by building a huge list of friends on MySpace. Social networking is really the way to go if you are paying attention, people. Now, local businesses are turning to Facebook and other networking sites and I think it's totally cool.
Getting back to the stations: If Clear Channel, Entercom, Bonneville, and all their compadres had to close down or change formats, then that's fine with me. They are in bed with the labels. The labels want this tax. They should have consulted with their bed buddies first, but we all know that big labels are in trouble and that's just fine with me. Looks like they have to take what they can and get a divorce before the radio stations come up with some way to get their money back!
Whatever happened to stories like The Coal Miner's Daughter, who drove around the country with her record and knocked on the doors of the radio stations and once she got them to play it, people loved it? These days, you have a little brother who is cute and can barely play guitar and you have an uncle who works at a big record label and they say, "You two could put out a record and make us millions" and that's exactly what happens... they hire a producer to basically write all the songs and they're off to take over the world. I won't mention what band this is, because you might like them and then get mad at me for dissing them, but do your research on these new bands out there and you'll find out that it's half of them! You should also take a look at the liner notes on the CD and see who recorded the album. I can think of one huge major-label band in particular where the only person who you are listening to on the CD (or on the radio, for that matter,) is the lead singer... all the other musicians were replaced on the CD for hired studio cats. But the band members who are not good enough to be on the record are the ones who go out on tour. And we wonder why some of these major-label bands sound like shit live.
Thank Goodness though, that the whole industry has been changing... since the internet came around and made distribution of records almost completely dispensable... among other things like artists having the ability to record their own music or at least have the ability to pay for it at a good, local studio. Things are changing, and I think it's all moving towards being a better situation for the indies. So, hey, support your local bands! Support them by buying their CDs, going to their shows, buying their Tshirts, hats, and buttons! When you see that sign that says "THINK LOCAL, BUY LOCAL" don't just limit it to the locally-owned restaurant, clothing store, or produce grower.
How about that cool 3/50 Project? You don't know about it? Well, check out this major coolness: http://www.the350project.net/home.html
Yeah, pick 3 local businesses to spend $50 a month at, instead of Wal-Mart (although I am guessing that anyone who's reading my blog does not shop there), Applebee's, and Kinko's, go to the local clothing/gift store (better yet, the cool second-hand store with amazing vintage styles at a GREAT price!), the locally-owned restaurant around the corner, (I'm a HUGE fan of Cafe Centraal on KK in Bay View) and Clark Graphics on Oakland. You can DO IT! And you feel good about it!!!
OK, here's my 3/50 proposal for music fans: Look at your music collection right now... your iPod, your CD collection, your record collection, For every 50 CDs you own that are from bands that are NOT local, or for every 50 songs you have in your iPod that are not local, buy at least 3 CDs or song downloads from local bands today. Hell, you can buy 3 of the same CDs from your favorite local band and give them away as St. Patty's Day presents for all the Irish drunks (just kidding!), birthday presents, Christmas presents, JUST DO IT! Then, start working towards making the ratio closer to 3/5, instead of 3/50. I know it will be hard to get the radio all the way up to 3/5, but work on it! You'd be surprised how much AMAZING local talent there is out there.
Indeed, I have digressed again.
Hopefully, the locally-owned radio stations will not suffer... THEY will hopefully be the ones to benefit, since they won't have to increase their advertising rates like the Clear Channels will have to. Local businesses will stop buying ads on the Clear Channel stations since they can't afford those rates anymore, and they'll buy their ads on the local stations!!! Let's put that out there! Join me on this, people!!!!!!!!!!!!!!
NOW, the OTHER thing I didn't even mention is that this tax is actually supposed to go to the radio stations to be paid AS ROYALTIES... to who? WHO gets paid royalties??? THE ARTISTS!!! Ok, WHAT IS WRONG WITH THAT????? Do you realize that music is the ONLY art you can enjoy for FREE because there is a thing called the radio, providing you songs for FREE? How many of us as teenagers recorded the songs we liked on the radio on tapes so we didn't have to go out & buy the record? Can you get a sculpture and enjoy it in your own home for FREE? How about a painting? How about a live theater production... are those usually free??? OK, TV is "free" to a certain extent, but we all know how much those actors on TV make!!!!!!
Honestly, I am not really sure that the artists will be collecting all that money (don't trust record labels unless your mom runs it), but that's why I don't choose that as my reason to VOTE YES for the "RADIO TAX" BILL!!!!!!!!!!!!!!!! Tell your Congressmen!!!!!!!!! Level the playing field for locally-owned & community stations! My hope is that the result will be: Something will HAVE TO HAPPEN to how you learn about new music. Lots of you people right now out there learn about new bands because you hear them on the "Clear Channels"... The new bands who are supported by big labels. They DON'T need your help. Most of them aren't bona fide artists anyway. They're manufactured by the labels. We've already had that conversation.
Tell your Congressmen to vote YES ON THE PERFORMANCE TAX and help artists get paid the royalties they deserve. (The "artists" on the radio who are manufactured won't see any of that money anyway, trust me on that one. The record contracts they sign are not good for them.)
Tell your Congressmen to vote YES ON THE PERFORMANCE TAX and watch the Clear Channels raise their advertising rates, passing that expense on to the buyers, who will start buying elsewhere.
Tell your Congressmen to vote YES ON THE PERFORMANCE TAX and watch local businesses buy less ads on the Clear Channels and more ads on the locally-owned stations and sponsoring more of the community stations like 88.9
Tell your Congressmen to vote YES ON THE PERFORMANCE TAX and take the first step in changing things around here from a controlling class of the wealthy to more of a democracy. This is ONE AREA where we still have control people... WE STILL GET TO CHOOSE which radio stations we listen to. But because the powerful record labels have been controlling what's ON the stations, they are actually shooting themselves in the foot by taxing the vehicle by which they control us: The radio stations. I AM TELLING YOU, LET THEM DO IT... VOTE YES!!!!!
(Why do you think it's only the big "Clear Channels" airing those commercials that "Say NO to the tax"?????? Do the math, people!!!!!!)
(They want to expose us to only THEIR CRAP on the free radio stations, and then they put their own [yes, they are in bed together, people] radio stations out of business? It's wonderful!!!!!!!!!!! The result will inevitably be more cool music for us, less major-label crap for everyone!)
Tell your Congressmen to vote YES ON THE PERFORMANCE TAX and watch the Clear Channels slowly suffer, few will close down, some will change formats, and yes, lots will survive and SUCK even more. (It's okay if they still exist. Let the stupid people continue to listen.)
Tell your Congressmen to vote YES ON THE PERFORMANCE TAX and join smart listeners as we all stop listening to Clear Channel, moving to the 88.9s of the world, the college stations, and the locally-owned commercial stations, who will soon be playing less music from big major labels (they don't want to be taxed for playing those songs from those bands), and more LOCAL MUSIC.
Tell your Congressmen to vote YES ON THE PERFORMANCE TAX!
THINK LOCAL! BUY LOCAL!
WOO-HOO!
As for the tasks I am doing this week: I'm adding this to my schedule: Submitting to at least one new venue every day. If it's just an e-mail, or mailing a whole press kit, I promise to submit to a new venue every day, whether it's for a solo/acoustic act, or for Sparklepussy The Midwest Surfing Cat... One A Day!!!
Monday, August 10, 2009
Day 164
Day 164 of ANNIE B.'s D.I.Y. MAGAZINE (Post #10)
Hello, Hello! Working today on getting all those long-overdue THANKS YOU's out to all the Artbeaters! Also need to send out that e-mail to all the new Des Moines fans from our show last Friday. Did sell a few CDs but I will be happy if we get paid better next time since we did not even get paid expenses (and that was actually part of the deal). But we did really have a GREAT time on the drive out - lots of laughing and bonding. The three of us work well together in the rehearsal studio, and now that I know we can get along fine on a 6-hour small-car drive, that's really a good sign. The show was great, not a HUGE crowd, but a decent crowd... again, sold some CDs, collected some e-mail addresses... moving forward in Des Moines!
Anyhoo, got an e-mail from Kandall Polster (welder artist from the last Artbeat) who is helping me get a show at the Harley Museum restaurant, Motor. Also got hooked up with a gig at Momo's in Austin through a contact there - John Doughty. Scott Berendt also hooked up a gig at the Coach House since he double-booked himself. (Oops!) But it feels REALLY good to be getting offers and calls now instead of always having to solicit the gigs, make the cold calls, etc etc etc. I guess hard work really DOES pay off!!!
New this week: my artwork for The Kiwi Cafe being done by Jesse Engelbrecht (gallery artist from the April Artbeat). His sketchwork would be PERFECT for the Kiwi Cafe album cover, so we are to talk about it tonight over the phone. (TOTALLY excited about putting out the album the way it should be, instead of burning copies for my shows every time!)
Also, I am no longer working with Ralph from Active Artist Management. I guess that's no surprise, since we have been butting heads since almost Day One. He is a good guy, but I know that we do not belong working together.
Thank goodness the dry songwriting spell over the last 3 years or so seems to be FINALLY OVER! Those 3 new songs we started working on at rehearsals are definitely worthy additions to the set!
Theo started e-mailing venues all over the Midwest last week so the band can start building a regional following. So far, we have been getting a pretty good response, but there is a great need to build an online database that we can use to communicate all activities, and find people's e-mail addresses quickly, since I notice that most responses do not indicate the venue/town they are representing. ANOTHER project!!!
I ALSO need to start working on contacting publishing companies for "What Do You Do"... since that song just does not seem to fit in with what we are doing right now. When I am going to find time doing that, I am not sure... but I hope to fit in in somewhere soon!!!!!! Anyone who is interested in interning for a record label based out of Milwaukee, please give a shout: anniebbaby@gmail.com. I know a LOT about the music business and I know how to make things happen, but with everything we've got going on, it can't all be done by just a few people! We need interns!
Have a beautiful day and NEVER GIVE UP ON YOUR DREAMS!!!!
Hello, Hello! Working today on getting all those long-overdue THANKS YOU's out to all the Artbeaters! Also need to send out that e-mail to all the new Des Moines fans from our show last Friday. Did sell a few CDs but I will be happy if we get paid better next time since we did not even get paid expenses (and that was actually part of the deal). But we did really have a GREAT time on the drive out - lots of laughing and bonding. The three of us work well together in the rehearsal studio, and now that I know we can get along fine on a 6-hour small-car drive, that's really a good sign. The show was great, not a HUGE crowd, but a decent crowd... again, sold some CDs, collected some e-mail addresses... moving forward in Des Moines!
Anyhoo, got an e-mail from Kandall Polster (welder artist from the last Artbeat) who is helping me get a show at the Harley Museum restaurant, Motor. Also got hooked up with a gig at Momo's in Austin through a contact there - John Doughty. Scott Berendt also hooked up a gig at the Coach House since he double-booked himself. (Oops!) But it feels REALLY good to be getting offers and calls now instead of always having to solicit the gigs, make the cold calls, etc etc etc. I guess hard work really DOES pay off!!!
New this week: my artwork for The Kiwi Cafe being done by Jesse Engelbrecht (gallery artist from the April Artbeat). His sketchwork would be PERFECT for the Kiwi Cafe album cover, so we are to talk about it tonight over the phone. (TOTALLY excited about putting out the album the way it should be, instead of burning copies for my shows every time!)
Also, I am no longer working with Ralph from Active Artist Management. I guess that's no surprise, since we have been butting heads since almost Day One. He is a good guy, but I know that we do not belong working together.
Thank goodness the dry songwriting spell over the last 3 years or so seems to be FINALLY OVER! Those 3 new songs we started working on at rehearsals are definitely worthy additions to the set!
Theo started e-mailing venues all over the Midwest last week so the band can start building a regional following. So far, we have been getting a pretty good response, but there is a great need to build an online database that we can use to communicate all activities, and find people's e-mail addresses quickly, since I notice that most responses do not indicate the venue/town they are representing. ANOTHER project!!!
I ALSO need to start working on contacting publishing companies for "What Do You Do"... since that song just does not seem to fit in with what we are doing right now. When I am going to find time doing that, I am not sure... but I hope to fit in in somewhere soon!!!!!! Anyone who is interested in interning for a record label based out of Milwaukee, please give a shout: anniebbaby@gmail.com. I know a LOT about the music business and I know how to make things happen, but with everything we've got going on, it can't all be done by just a few people! We need interns!
Have a beautiful day and NEVER GIVE UP ON YOUR DREAMS!!!!
Tuesday, June 16, 2009
Day 108
Sorry it's been so long since that last blog! I AM going to blog til I win that Grammy - I promise!!!
So, here's what I've been up to... I went out of town on a little mini-US tour for about 3 weeks...
Started with a show in Des Moines on April 10th was amazing – we played to a packed house, opening for gb Leighton, and he was stellar and perfectly hospitable… the owner of the House of Bricks thought ahead and asked gb Leighton’s people if we could use their backline and it was not a problem. We left Milwaukee around 12:30 and had enough time to eat before we hit the stage. The crowd warmed up to us right away and I sold 14 CDs before we started driving home about midnight! Got home at about 6am and slept all morning and into the afternoon.. It was totally worth the trip, and I got a call back from the owner on Easter Sunday – he was very impressed with us and is totally looking forward to having us back!
The rest of the week was eventful, I had a solo show at a regular venue of mine (the Coach House Grill) on Thursday night before Des Moines and that was fun, and another solo show in Watertown, and that was another huge success. The owner of another bar I played in Watertown was there and asked me when I would come back to play for him. I’ll have to set it up again to play for Happy Hour at one bar (Riverview Water Trap), and then at the Uptown again that night. People in Watertown seem to like what I’m doing quite a bit!
Well, I officially took off for my solo road trip on Wednesday at about 1pm, and made it into Des Moines for my first show just in time! I wanted to have a little more breathing time, but it’s hard getting organized for these trips. Good thing I remembered everything… one time I drove out to a venue and forgot my PA speakers! I had to ask my landlord to drive out there with my speakers (the venue’s speakers were not right for my PA), so I offered my landlord $50 to make the drive and he was nice enough to help out!
The first show this week was at a place called Scooter and Bab’s and those folks were totally cool, it was a tips only gig and I sold some CDs and made some tips and had a groovy chicken salad for dinner. Fun people. I had a long drive the next day, so I started driving after the gig. (Quite a bit after the gig, actually… I met a guy named Tim and we hung out at the bar for awhile until I finally decided I had to start driving, at 1AM.) Got about 2 hours of driving in and decided to crash at the first travel center I saw, in the parking lot, under a light, with my car locked. My friend Edie bought me a killer travel blankie and pillow for Christmas, so I was able to sleep until about 9/9:30AM, and hit the road for Muskogee, OK.
Max’s Garage was a great venue; it used to be a car garage with four bays. High ceilings, totally keeping the garage vibe inside. I must have had another chicken salad… my usual fare. Started playing around 4:30 and people were generous towards my tip jar, plus the owner gave me a little bonus at the end of the night. I sold a few CDs and had a great time, but I should not have played that last set. My voice was tired and I had 3 more nights of performing coming up. Stayed with the owner’s friend, Billy. Billy was awesome, and he had to leave for work in the morning before I had enough sleep to start driving again. He woke me up to move my car with the house doggie, this cute female poodle, and I can’t remember her name right now. I left him one of my CDs and a thank you note. I had a great night’s sleep! Thanks, Billy!!!
The next night was in Denison, TX, at a venue where I have played many times before (Break Time), and they give the artists a nice guarantee, plus anything extra that comes in through the door. When I booked this show, the girl who I was on the phone with told me that the date I wanted was already booked, so I asked her if she could call the band already booked and see if they could switch to the following weekend, which was not booked yet. She was able to reach them that evening, and they had no problem switching their date. Nice guys! I slept in on Friday morning at Billy’s house, and got to Denison at about 5pm. Steve is the friend in Sherman, TX (town right next door – 5 minutes from Break Time) who I stay with whenever I am there, and he got switched to graveyard shift due to these hard economic times. He didn’t have to be at work until 9pm so we went out for dinner at a great little place called Cellarman’s, where they have tons of different beers on tap. We enjoyed crab cakes and shared beers & a pizza. Got in a quick nap before we both had to go to work, and when I showed up at Break Time it was empty but the usual crowd filled up the place so that by the end of the night there was a great crowd of beer-drinking fools!!!! Gotta Love Them Texans!!!!!
Stopped in El Paso for a mini "420 fest" and I had fun there - friend drove down from Albuquerque to see me but, I think he got to see me sing like, one song! Also got to see this great little band from the area, Ya Ya Boom. Loved 'em! Had a great night but not such a good morning since I got so drunk I was not ready to check out of the hotel when it was check-out time, so I slept in my car for another 4 hours and finally was able to keep down some food & start driving to CA sometime around 6pm.
The rest of the trip went well… I played the Shut Up Marie reunion show in L.A. with the line-up on the GIMMIE CD, and we had a great time!!! I wish I could go out there more often. Got to hang with the first friend I ever made down there, Lisle Engle – also a GREAT singer/songwriter – we’ve been friends since 1999 and he is good people. Got married a few years ago to a beautiful burlesque dancer Eliza Bane, and they just had a beautiful daughter, Sammy who I got to meet!
Got to see Luvie, Barbara, and Garrard, really enjoyed visiting my friends in L.A., and then up to Reno! Played shows in Truckee, Reno, and Fernley, and got to visit Karen, (Babe-Doll), and Kevin & Katherine, Bob & Kathy, former Beach Boy Adrian Baker, the whole Reno gang!
Next show was in Elko at Machi’s – where they do “Dinner & Annie B.” night – a fun night of great food, friends, music and fun! Hope to head out there again in the fall!!
Drove through to visit a friend in Wyoming and then stayed with another friend in Des Moines… racing back to Milwaukee to get back on my projects!
The July 31st Milwaukee Artbeat is the big project on my plate right now! Working on locking in the final artists for the show, and the gallery artists! It should be a great night! Please visit the ARTBEAT MySpace page to find out more! And tell your artist friends about ARTBEAT – we’re ALWAYS looking for great, interesting artists for the show!
Also working on my new album... the new band is called Annie B. & The Starlight Heroes but I'd like to change the name to the Starlights Hotels... I'll keep you posted! Also working on putting out a compilation CD on remedial children records of female bands & artists mostly from the Midwest! Keep your eyes out for that, too!!!
Peace, & Much Love! I promise I’ll write again much sooner next time!
Annie
So, here's what I've been up to... I went out of town on a little mini-US tour for about 3 weeks...
Started with a show in Des Moines on April 10th was amazing – we played to a packed house, opening for gb Leighton, and he was stellar and perfectly hospitable… the owner of the House of Bricks thought ahead and asked gb Leighton’s people if we could use their backline and it was not a problem. We left Milwaukee around 12:30 and had enough time to eat before we hit the stage. The crowd warmed up to us right away and I sold 14 CDs before we started driving home about midnight! Got home at about 6am and slept all morning and into the afternoon.. It was totally worth the trip, and I got a call back from the owner on Easter Sunday – he was very impressed with us and is totally looking forward to having us back!
The rest of the week was eventful, I had a solo show at a regular venue of mine (the Coach House Grill) on Thursday night before Des Moines and that was fun, and another solo show in Watertown, and that was another huge success. The owner of another bar I played in Watertown was there and asked me when I would come back to play for him. I’ll have to set it up again to play for Happy Hour at one bar (Riverview Water Trap), and then at the Uptown again that night. People in Watertown seem to like what I’m doing quite a bit!
Well, I officially took off for my solo road trip on Wednesday at about 1pm, and made it into Des Moines for my first show just in time! I wanted to have a little more breathing time, but it’s hard getting organized for these trips. Good thing I remembered everything… one time I drove out to a venue and forgot my PA speakers! I had to ask my landlord to drive out there with my speakers (the venue’s speakers were not right for my PA), so I offered my landlord $50 to make the drive and he was nice enough to help out!
The first show this week was at a place called Scooter and Bab’s and those folks were totally cool, it was a tips only gig and I sold some CDs and made some tips and had a groovy chicken salad for dinner. Fun people. I had a long drive the next day, so I started driving after the gig. (Quite a bit after the gig, actually… I met a guy named Tim and we hung out at the bar for awhile until I finally decided I had to start driving, at 1AM.) Got about 2 hours of driving in and decided to crash at the first travel center I saw, in the parking lot, under a light, with my car locked. My friend Edie bought me a killer travel blankie and pillow for Christmas, so I was able to sleep until about 9/9:30AM, and hit the road for Muskogee, OK.
Max’s Garage was a great venue; it used to be a car garage with four bays. High ceilings, totally keeping the garage vibe inside. I must have had another chicken salad… my usual fare. Started playing around 4:30 and people were generous towards my tip jar, plus the owner gave me a little bonus at the end of the night. I sold a few CDs and had a great time, but I should not have played that last set. My voice was tired and I had 3 more nights of performing coming up. Stayed with the owner’s friend, Billy. Billy was awesome, and he had to leave for work in the morning before I had enough sleep to start driving again. He woke me up to move my car with the house doggie, this cute female poodle, and I can’t remember her name right now. I left him one of my CDs and a thank you note. I had a great night’s sleep! Thanks, Billy!!!
The next night was in Denison, TX, at a venue where I have played many times before (Break Time), and they give the artists a nice guarantee, plus anything extra that comes in through the door. When I booked this show, the girl who I was on the phone with told me that the date I wanted was already booked, so I asked her if she could call the band already booked and see if they could switch to the following weekend, which was not booked yet. She was able to reach them that evening, and they had no problem switching their date. Nice guys! I slept in on Friday morning at Billy’s house, and got to Denison at about 5pm. Steve is the friend in Sherman, TX (town right next door – 5 minutes from Break Time) who I stay with whenever I am there, and he got switched to graveyard shift due to these hard economic times. He didn’t have to be at work until 9pm so we went out for dinner at a great little place called Cellarman’s, where they have tons of different beers on tap. We enjoyed crab cakes and shared beers & a pizza. Got in a quick nap before we both had to go to work, and when I showed up at Break Time it was empty but the usual crowd filled up the place so that by the end of the night there was a great crowd of beer-drinking fools!!!! Gotta Love Them Texans!!!!!
Stopped in El Paso for a mini "420 fest" and I had fun there - friend drove down from Albuquerque to see me but, I think he got to see me sing like, one song! Also got to see this great little band from the area, Ya Ya Boom. Loved 'em! Had a great night but not such a good morning since I got so drunk I was not ready to check out of the hotel when it was check-out time, so I slept in my car for another 4 hours and finally was able to keep down some food & start driving to CA sometime around 6pm.
The rest of the trip went well… I played the Shut Up Marie reunion show in L.A. with the line-up on the GIMMIE CD, and we had a great time!!! I wish I could go out there more often. Got to hang with the first friend I ever made down there, Lisle Engle – also a GREAT singer/songwriter – we’ve been friends since 1999 and he is good people. Got married a few years ago to a beautiful burlesque dancer Eliza Bane, and they just had a beautiful daughter, Sammy who I got to meet!
Got to see Luvie, Barbara, and Garrard, really enjoyed visiting my friends in L.A., and then up to Reno! Played shows in Truckee, Reno, and Fernley, and got to visit Karen, (Babe-Doll), and Kevin & Katherine, Bob & Kathy, former Beach Boy Adrian Baker, the whole Reno gang!
Next show was in Elko at Machi’s – where they do “Dinner & Annie B.” night – a fun night of great food, friends, music and fun! Hope to head out there again in the fall!!
Drove through to visit a friend in Wyoming and then stayed with another friend in Des Moines… racing back to Milwaukee to get back on my projects!
The July 31st Milwaukee Artbeat is the big project on my plate right now! Working on locking in the final artists for the show, and the gallery artists! It should be a great night! Please visit the ARTBEAT MySpace page to find out more! And tell your artist friends about ARTBEAT – we’re ALWAYS looking for great, interesting artists for the show!
Also working on my new album... the new band is called Annie B. & The Starlight Heroes but I'd like to change the name to the Starlights Hotels... I'll keep you posted! Also working on putting out a compilation CD on remedial children records of female bands & artists mostly from the Midwest! Keep your eyes out for that, too!!!
Peace, & Much Love! I promise I’ll write again much sooner next time!
Annie
Monday, March 2, 2009
Day 1 (actually, Day 2)
Ok, it's actually Day 5706 on my way to winning a Grammy... which is one of my 5 major career goals. I promise to post blogs here until I win a Grammy, and when I do win a Grammy, YOU can say you followed me all the way there!
I will hopefully keep blogging here even after I win that Grammy, but I am now obligated to blog here until I do win one. I have made a public statement, and I will come through.
So, like I said, it's probably more like Day 5706 (somewhere between 15 & 16 years) since I wrote my first song that I actually kept and recorded, and considered myself to be a bona fide artist... (That song was called "Follow Your Heart," and I wrote it in the summer of 1993. I could probably still sing & play that song today if I needed to. I have since written well over 300 songs. Some of 'em are pretty good, some are great, and some are not so good and you will never, ever hear them.)
That's when it all began, when I first started dreaming of winning a Grammy, and having my other 4 career goals. Those would be (1) hearing my songs randomly on the radio, (2) headlining for an audience of 10,000 or more, (3) going on a world tour with a real tour bus and real riders and hotel rooms and all that stuff, (4) I actually forgot the other one, but I will let you know if I remember what it is. Those first few are the best indicators that I've "made it," I guess you could say. I have actually toured the U.S., but it was in my car and most nights I did not know where I would end up crashing. I crashed in my car a lot that year.
Perhaps I have already "made it," since I only play music for a living. Isn't that reason enough to celebrate??? I also get some hosting gigs, but that's also being in the spotlight, so it kind of counts. (Sorry about the narcissism/need for attention. Maybe I didn't get enough attention as a kid, being 5th out of 6?)
Anyhoo, so I'll call this Day 1, since it's Day 1 of Blogging 'Til I Win A Gammy. Even though it's really Day 2, since I'd like my "start date" to be March 1. That will make my life easier... to have Day 1 on the first day of the month.
So I'll be writing about the things I am doing to "make it." The little tasks I perform every day or every week, what I am doing to get bigger and better gigs, other things I am doing to move my career forward towards that Grammy and my 4 (today it's only 3) other goals.
It's kind of like getting a chance to be behind the scenes and say "I knew her when..." in case I really do make it to the "Big Time." Wait a minute! "In case"???? Nope. That stops right here. Half the way to success is attitude and believing in yourself. Actually, it's more than half.
So, WHEN I make it to the big time, you can say you knew me when I was on Day 1 of my Blogging 'Til I Win A Grammy"!!! How fun would that be????
OK, so let's get started...
What did I do today?
Well, I slept at a friend's place last night (still trying to decide if this guy is my boyfriend... ??????) and he had to be at work at 6:15 so I was up at 5:50 and home by 6:30am which is very unlike me. I did get a lot accomplished today and that's because I got a huge jump-start on the day.
I helped shovel snow and had a great breakfast (like I do every morning... not the shoveling part, the breakfast part!!!) Had to be at a producer friend's house to edit a promo for www.milwaukeeartbeat.com - Milwaukee Artbeat is a new artist showcase I am producing and hosting. Fun stuff. Please visit the website for more info.
Got done editing around 2pm but then I got a call from the place where my parents live regarding my pop. He's got dementia and that can lead to aggressive behavior for some. Oddly enough, the video producer I am working with (www.xfactafilms.com) is also a social worker so he knows all about it... we talked about stuff for almost an hour.
Then I headed over to Bukalou, our web people for Milwaukee Artbeat, so they could upload the video. Hopefully they'll be able to do that tomorrow or sometime this week.
Send me an e-mail when you see our trailer up at www.milwaukeeartbeat.com, will ya?
Got home around 4 and sent out a few e-mails. I am trying to get 88.9 and the local arts/entertainment papers to sponsor Milwaukee Artbeat so I left a few phone messages, too.
Ate a turkey sandwich. An exciting day so far!
Also waiting on word from the House of Bricks in Des Moines to see if I can open for G.B. Leighton when he comes through. I know, Des Moines is 5 hours away, but I am headed down to L.A. for a Shut Up Marie reunion show at the end of April, so I'm trying to make that part of my trip down.
Went to the bank, they let me sneak in right as they were closing.
E-mails, MySpace, Facebook, Twitter, YouTube, Last.fm, and Eventful came next. How can people keep up with all the online networks you have to do these days? Bugsy and I agree - it's a 40-hour a week job!!! And guess what....... now I have ANOTHER thing to do online... my "Blogging 'Til I Win A Grammy" blog!!!!!!!!!
Next up will be laundry (that's a break for me - most of the evening I am at my computer). Then I need to create a cool loop for the trailer. We're trying to fix the audio on the trailer, and that's my opportunity to put in a different loop for the background music. I enjoy that stuff... actually doing MUSIC instead of promotion, e-mailing, press kits, and all that jazz.
Last thing is to make my "to do" list for tomorrow, and I'm trying to read a little from "The Prophet" before I hit the hay these nights.
UGH!!!! I forgot to get a Thank You card for Nick at Sunny 97.7 in Fond du Lac!!! He interviewed me on the station last Thursday morning. Thanks, Nick!!!!!!!!
Have a great night. See you again in a day or two!!!!!!!!
I will hopefully keep blogging here even after I win that Grammy, but I am now obligated to blog here until I do win one. I have made a public statement, and I will come through.
So, like I said, it's probably more like Day 5706 (somewhere between 15 & 16 years) since I wrote my first song that I actually kept and recorded, and considered myself to be a bona fide artist... (That song was called "Follow Your Heart," and I wrote it in the summer of 1993. I could probably still sing & play that song today if I needed to. I have since written well over 300 songs. Some of 'em are pretty good, some are great, and some are not so good and you will never, ever hear them.)
That's when it all began, when I first started dreaming of winning a Grammy, and having my other 4 career goals. Those would be (1) hearing my songs randomly on the radio, (2) headlining for an audience of 10,000 or more, (3) going on a world tour with a real tour bus and real riders and hotel rooms and all that stuff, (4) I actually forgot the other one, but I will let you know if I remember what it is. Those first few are the best indicators that I've "made it," I guess you could say. I have actually toured the U.S., but it was in my car and most nights I did not know where I would end up crashing. I crashed in my car a lot that year.
Perhaps I have already "made it," since I only play music for a living. Isn't that reason enough to celebrate??? I also get some hosting gigs, but that's also being in the spotlight, so it kind of counts. (Sorry about the narcissism/need for attention. Maybe I didn't get enough attention as a kid, being 5th out of 6?)
Anyhoo, so I'll call this Day 1, since it's Day 1 of Blogging 'Til I Win A Gammy. Even though it's really Day 2, since I'd like my "start date" to be March 1. That will make my life easier... to have Day 1 on the first day of the month.
So I'll be writing about the things I am doing to "make it." The little tasks I perform every day or every week, what I am doing to get bigger and better gigs, other things I am doing to move my career forward towards that Grammy and my 4 (today it's only 3) other goals.
It's kind of like getting a chance to be behind the scenes and say "I knew her when..." in case I really do make it to the "Big Time." Wait a minute! "In case"???? Nope. That stops right here. Half the way to success is attitude and believing in yourself. Actually, it's more than half.
So, WHEN I make it to the big time, you can say you knew me when I was on Day 1 of my Blogging 'Til I Win A Grammy"!!! How fun would that be????
OK, so let's get started...
What did I do today?
Well, I slept at a friend's place last night (still trying to decide if this guy is my boyfriend... ??????) and he had to be at work at 6:15 so I was up at 5:50 and home by 6:30am which is very unlike me. I did get a lot accomplished today and that's because I got a huge jump-start on the day.
I helped shovel snow and had a great breakfast (like I do every morning... not the shoveling part, the breakfast part!!!) Had to be at a producer friend's house to edit a promo for www.milwaukeeartbeat.com - Milwaukee Artbeat is a new artist showcase I am producing and hosting. Fun stuff. Please visit the website for more info.
Got done editing around 2pm but then I got a call from the place where my parents live regarding my pop. He's got dementia and that can lead to aggressive behavior for some. Oddly enough, the video producer I am working with (www.xfactafilms.com) is also a social worker so he knows all about it... we talked about stuff for almost an hour.
Then I headed over to Bukalou, our web people for Milwaukee Artbeat, so they could upload the video. Hopefully they'll be able to do that tomorrow or sometime this week.
Send me an e-mail when you see our trailer up at www.milwaukeeartbeat.com, will ya?
Got home around 4 and sent out a few e-mails. I am trying to get 88.9 and the local arts/entertainment papers to sponsor Milwaukee Artbeat so I left a few phone messages, too.
Ate a turkey sandwich. An exciting day so far!
Also waiting on word from the House of Bricks in Des Moines to see if I can open for G.B. Leighton when he comes through. I know, Des Moines is 5 hours away, but I am headed down to L.A. for a Shut Up Marie reunion show at the end of April, so I'm trying to make that part of my trip down.
Went to the bank, they let me sneak in right as they were closing.
E-mails, MySpace, Facebook, Twitter, YouTube, Last.fm, and Eventful came next. How can people keep up with all the online networks you have to do these days? Bugsy and I agree - it's a 40-hour a week job!!! And guess what....... now I have ANOTHER thing to do online... my "Blogging 'Til I Win A Grammy" blog!!!!!!!!!
Next up will be laundry (that's a break for me - most of the evening I am at my computer). Then I need to create a cool loop for the trailer. We're trying to fix the audio on the trailer, and that's my opportunity to put in a different loop for the background music. I enjoy that stuff... actually doing MUSIC instead of promotion, e-mailing, press kits, and all that jazz.
Last thing is to make my "to do" list for tomorrow, and I'm trying to read a little from "The Prophet" before I hit the hay these nights.
UGH!!!! I forgot to get a Thank You card for Nick at Sunny 97.7 in Fond du Lac!!! He interviewed me on the station last Thursday morning. Thanks, Nick!!!!!!!!
Have a great night. See you again in a day or two!!!!!!!!
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